Benefit from Hocus Pocus - Learn These 10 Tips
She played her first singles match in 12 months at Wimbledon last night, and it ended up being one for the history books. If this was the last occasion we saw her at Wimbledon then at least she left with the indelible print of a superb contest against a poised and youthful opponent. I start with the productions: I create a beat and present it to the band and then we start working on it together. We started working with musicians and we wanted to add live-elements to our music. We changed our view on music when we started playing with musicians on stage. Another advantage for us are our gigs: a lot of our musicians live off gigs, not off album sales. Lucky for us we record in a home studio and thanks to that our recording progress doesn’t depend on album sales. We worked hard for almost a year and it costs a lot of money to pay for musicians, the studio… There was a lot of energy in the scene in West France, which influenced us a lot at that time.
We also liked artists from the west of France, like Le Bastion and Soul Choc. Copycats like that always existed, but the amount of producers like that increased since this digital revolution. Everyday lots of talented producers appear in the scene and that’s a positive thing. There are producers who sound exactly like Pete Rock or DJ Premier. Pipeline operations were perfectly fine; there was just no way for the company to keep track of who bought their product and now owed them money. According to reports, he prefers to keep his personal life away from the prying eyes of the media. She added: “You don’t get to keep it at all, they give you a replica. We don’t have to sell 50.000 copies to break even. On the other side, it gives people that do have the talent and passion the chance to create sounds. And outside France we are lucky we met the good people over at P-Vine Records, who did a lot of re-releases and imported a lot of albums like our style; Jazzy Hip Hop, Soul and Funk. P-Vine Records did a great job with promoting our music in Japan.
So he’s the one who introduced us in Japan. He’s a fantastic singer with an incredible voice from the UK. Who is singer Omar, who’s featured on ‘Smile’? I heard his latest album with some crazy songs and that’s why we wanted him to sing on ‘Smile’. I personally think the diversity of your latest album ‘Place 54’ has something to do with that. Those samples give the album a subtle jazzy feel. Around 1997/1998 we met DJ Greem and then we did our second album ‘Seconde Formule’ in 1998. I did all the instrumentals and some lyrics, Cambia wrote lyrics and Greem did the scratching. Now that we are going to release a new album I’m not sure that a lot of people will hear the album a few days after its release without touching the album at all. Even though we don’t know what Williams will look like, I trust her more than Tan, who is 0-2 in her career on the main tour. Gardner explains how his career started off in journalism and writing.
Roger Ebert in The Chicago Sun-Times gave the film one star out of a possible four, writing that it was “a confusing cauldron in which there is great activity but little progress, and a lot of hysterical shrieking”. After that I start writing the lyrics. I think there’s an open culture to Afro-American music and Japanese people really love Hip Hop, even if they don’t understand the lyrics Hocus Pocus bring. I think it’s partly a good thing for us, because it gives a chance to a lot of people to discover our music. It’s very strange, actually. But since a couple of years it’s really a mixed crowd: older and younger people, Jazz lovers, Soul lovers… It’s also important to remember that gender-affirming care is lifesaving, necessary medical care. If you listen to the song ‘Smile‘, for example, you don’t have to be a Hip Hop lover to appreciate the song…
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